December 18, 2013
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Posted in: Panel of Experts
[WALDEN; OR, LIFE IN THE WOODS]
Although the first edition gives the title Walden; or, Life in the Woods, on March 4, 1862, two months before he died, T wrote to his publishers, Ticknor & Fields, asking them to omit the subtitle in a new edition. They complied with this request, although it has rarely been followed since. Paul (75) suggests that T may have dropped the subtitle because he feared his audience was taking it too literally and thus missing the more important philosophy permeating the book. T could have derived the subtitle from his friend Charles Lane’s essay “Life in the Woods” in the Dial (IV, 1844, 415) or from John S. Williams, “Our Cabin; or, Life in the Woods” in the October 1843 American Pioneer (DeMott), but not from the then popular The Adirondack; or Life in the Woods, by J.T. Headley (New York, 1849), which did not appear until after T had used the subtitle in an advertisement for W in the back pages of the first edition of A Week. For a comprehensive study of the types of books on which T based the structure of W, see Linck Johnson. For a discussion of the organic structure of W, see Lane (1960). Kurtz is one o the most straightforward analyses of W’s style.
Posted in: General Discussion
Is there any possibility of Thoreau borrowing from the Christian tradition and positing “the woods” as a corollary of “wilderness”, where the demons (in us) are often portrayed and living? To reach one’s “higher self”, one must wake up inwardly to those elements that lead the soul (psychological and emotional state) astray.
In his new book, Cryptic Subtexts in Literature and Film: Secret Messages and Buried Treasure (New York: Routledge, 2019), Steven F. Walker offers a new interpretation of Walden’s 1854 subtitle, “Life in the Woods.” It is well known that that subtitle was hardly original, having appeared in several publications prior to the publication of Walden, including an article of that name by Charles Lane which appears in the final issue of The Dial. Walker grants that Thoreau may have used the title “ironically,” that is, “as a vigorous rejoinder to the thesis of Lane’s Dial essay” (13). More intriguing, however, is Walker’s argument that Thoreau may have associated “life in the woods” with a phase of life known in Hindu as “vanaprastha” (literally translated as “life in the woods”)—“the third stage of life—that of the solitary, contemplative hermit living in the forest on the outskirts of the village—as described in The Laws of Manu” (14) which Thoreau read in Emerson’s library in 1840. “Such a new framing,” Walker says, “certainly provides a new perspective on Thoreau’s life-in-the-woods enterprise, which, for all its Yankee originality, also can be seen as a spiritual retreat based on an ancient Hindu paradigm of the stages of life” (16).
Paragraph 1: Last semester I took Professor Cooper’s English 368 Connections in Recent Literature: Unplugged and ParaDigitial class and examined the relationship between books and technology. On the first day of class, we talked about how Thoreau was actually much closer to civilization than it seems in his writing. Although I cannot find the original map that I saw on my first day of class, this map also demonstrates that even though Thoreau was somewhat “tucked away” he was still decently close to civilization. He talks about occasionally catching people off the train to hear the town’s gossip, something he cannot resist. He also mentions occasionally wandering into town for the human connection that he sometimes yearned for. I believe that this is an interesting point to bring into his first chapter “Economy” because he talks to the reader about how he builds his own house that is meant to be so distant from society but in reality it is quite the opposite. This relates strongly to technology today because even people that claim they want to be distant from the innovations we are creating as a society are still somehow connected to technology in some way. Technology has a huge influence on our society and there is almost no way of having total seclusion from the world or from the devices we have invented and are still working on today.
Find references in JSTOR articles
The drawing of T’s cabin was made by his sister Sophia, an amateur artist. T himself complained of it, “Thoreau would suggest a little alteration, chiefly in the door, in the wide projection of the roof at the front; and that the bank more immediately about the house be brought out more distinctly” (Sanborn, 1917, 338). Sanborn adds, “He must have noticed that her trees were first and pines, with a few deciduous tress that did not then grow there.” Ellery Channing thought it a “feeble caricature.” Other contemporary drawings of the cabin may be found in Meltzer and Harding (144-5).
[to wake my neighbors up]
The epigraph is quoted from the second chapter of W. It is omitted from many modern editions, and unfortunately so, for it sets the mood for the whole book. Broderick (1954) points out how this awakening and morning theme is a basic image carried throughout W. A possible source for T’s idea is Orestes Brownson’s statement in his Boston Quarterly Review in 1839 that he “aimed to startle, and made it a point to be as paradoxical and extravagant as he could.”
February 12, 2020 at 12:53 pm
See in context
February 17, 2019 at 5:50 pm
December 17, 2014 at 4:55 pm
January 3, 2014 at 5:18 pm
January 3, 2014 at 5:25 pm
January 3, 2014 at 5:22 pm
September 1, 2021 at 5:43 pm
[Read your fate, see what is before you, and walk on into futurity.]
I wonder if T may be suggesting a deeper sense of ‘reading,’ perhaps related to the concept of reading put forward by Simone Weil in her “Essay on the Notion of Reading.”
September 1, 2021 at 5:09 pm
Yes, Allison. For a time, we lived on the shores of Lake Champlain: Cumberland Head, north of Plattsburgh, NY. Once, as we returned home from a long trip on an extremely cold winter night (-15 F), we were stopped in our tracks by a loud, eerie, and most unsettling sound. The entire lake was groaning and wailing, evoking in us a sense of utter desolation—mournful and fearsome—as great cracks ripped through the ice, shooting out for miles; as if some impossibly great beast was suffering its last agony; a doleful, primeval utterance, quite beyond anything we had heard before. There is simply nothing like it.
August 30, 2021 at 12:17 pm
Posted in: Emerson-Thoreau SUNY Geneseo
Although one of the main reasons for Thoreau’s going to Walden Pond was to see the spring come in, he does not restrict himself to life in the spring only. Winter has its own virtues. New views from the surface of the firmly frozen ice are the souvenir of winter for Thoreau — and for us.
Ali (Thoreau’s friend in Iran)
August 30, 2021 at 11:30 am
Regarding “forms” and the difference between Rabbits and Hares, according to Wikipedia:
Hares and jackrabbits are leporids belonging to the genus Lepus. Hares are classified in the same family as rabbits. They are similar in size to rabbits and have similar herbivorous diets, but generally have longer ears and live solitarily or in pairs. They do not dig burrows, but nest in slight depressions called forms, often in long grass. Also unlike rabbits, their young are able to fend for themselves shortly after birth rather than emerging blind and helpless. Most are fast runners.
February 20, 2021 at 1:15 pm
Posted in: SNHUmans
February 20, 2021 at 1:13 pm
Well said, Ainsley. Given that he had TB and financial constraints, he lived that advice.
February 18, 2021 at 8:52 pm
This paragraph also discusses, as I mentioned in one of my earlier comments, Thoreau’s philosophy and how it intertwines with nature. He states that no matter what your life is like, you do not give up and reject it and complain about it. Thoreau believes the way to live your best life with what you are given is to face your problems head on instead of ignoring them because they will only continue to develop and get worse. Thoreau states things don’t change; we do. While you may be stuck with things and situations, you yourself are not stuck if you change your thinking.
February 18, 2021 at 8:47 pm
This paragraph was super important in the sense that Thoreau’s safe place, his favorite location with his favorite sounds and scents of the trees and waters and animals, became a feeling of normalcy. When Thoreau first moved into the woods, he was in awe of everything around him, and took in everything he possibly could. However, after having the same surroundings and doing the same things day after day, Thoreau was no longer satisfied in this lifestyle he had created. He states that he thought he had more lives to live, and I think that by this he means he has very different experiences ahead of him. While the woods offered and taught Thoreau so much, he can only experience so much inside of the woods, and he realized that he had gained everything he could from this experience and it was time to move on.
February 18, 2021 at 8:26 pm
I really enjoyed this paragraph. Thoreau discusses how thinking better thoughts can lead to living a better life. Looking at things with optimism can often make bad things less bad, which Thoreau touches upon. A lot of Thoreau’s writings are entirely based around not only nature but also the way he thinks and his own personal philosophy. Thoreau believes we are blessed to be alive no matter the circumstances and it is up to us to make the best out of what we are given in life, as he displays with his very simplistic and seemingly lonesome lifestyle.
February 18, 2021 at 8:08 pm
This paragraph speaks a lot about Thoreau’s intense attention to detail. Not only does he detail the thickness and thinness of the ice, but he also discusses the relation between the thickness of the ice and the way it melts. Thoreau also discusses in-depth the way that the temperature causes state changes in the ice and the way it impacts the water at different lengths. I doubt many people, and I know I haven’t, have ever put that much thought and consideration into ice and the way it melts. While it also speaks a lot to Thoreau’s surroundings, it speaks even more to his attention to detail, especially in nature. He notices everything he possibly can, and thinks about it and what it means as opposed to letting it be a passing thought, which is what most do.
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